Hiding fandom in the underwear drawer since 1977

I spotted this on io9 when I was in Rome (who got it from Tiny Letter who in turn got it from C.S. Lewis' Letters to Children).  I wanted to reprint it here, as it is just lovely.  Lewis is writing to an American fan named Joan Lancaster in June of 1956 about the craft of writing.  I infer from it that Joan must have included  a picture of herself and her cat, named Aslan.

***
The Kilns,
Headington Quarry,
Oxford
26 June 1956

Dear Joan–

Thanks for your letter of the 3rd. You describe your Wonderful Night v. well. That is, you describe the place and the people and the night and the feeling of it all, very well — but not the thing itself — the setting but not the jewel. And no wonder! Wordsworth often does just the same. His Prelude (you're bound to read it about 10 years hence. Don't try it now, or you'll only spoil it for later reading) is full of moments in which everything except the thing itself is described. If you become a writer you'll be trying to describe the thing all your life: and lucky if, out of dozens of books, one or two sentences, just for a moment, come near to getting it across.

About amn't I, aren't I and am I not, of course there are no right or wrong answers about language in the sense in which there are right and wrong answers in Arithmetic. "Good English" is whatever educated people talk; so that what is good in one place or time would not be so in another. Amn't I was good 50 years ago in the North of Ireland where I was brought up, but bad in Southern England. Aren't I would have been hideously bad in Ireland but very good in England. And of course I just don't know which (if either) is good in modern Florida. Don't take any notice of teachers and textbooks in such matters. Nor of logic. It is good to say "more than one passenger was hurt," although more than one equals at least two and therefore logically the verb ought to be plural were not singular was!

What really matters is:–

1. Always try to use the language so as to make quite clear what you mean and make sure your sentence couldn't mean anything else.

2. Always prefer the plain direct word to the long, vague one. Don't implement promises, but keep them.

3. Never use abstract nouns when concrete ones will do. If you mean "More people died" don't say "Mortality rose."

4. In writing. Don't use adjectives which merely tell us how you want us to feel about the thing you are describing. I mean, instead of telling us a thing was "terrible," describe it so that we'll be terrified. Don't say it was "delightful"; make us say "delightful" when we've read the description. You see, all those words (horrifying, wonderful, hideous, exquisite) are only like saying to your readers, "Please will you do my job for me."

5. Don't use words too big for the subject. Don't say "infinitely" when you mean "very"; otherwise you'll have no word left when you want to talk about something really infinite.

Thanks for the photos. You and Aslan both look v. well. I hope you'll like your new home.

With love
yours
C.S. Lewis

***
I really want to editorialize, but shall not.  The thing speaks for itself and more eloquently than I ever could.

In other news, we're back, having lost one electronic device in our mad dash across French airports, but now safe, sound, and jet lagged.  There was something oddly surreal about standing in the meat department of the local grocery store looking at ALL THOSE CHOICES and thinking that 24 hours ago, I was in Rome. 

Ciao!  And in an inside joke for econopodder and knitress "Happy Cat Sacrifice Day!"  For all others, enjoy your holiday of choice or none at all.  It is a joyous and lovely weekend.  Remixes should be posted soon, Big Bang starts on Sunday (thanks snacky !!!) and I really wanted to get an AW update up before then.  We'll see.

So, I was going to post something exploring raykel's discussion earlier about adults playing with toys that are really intended for children. But before we do that, knitress wrote the following:

As someone who just stumbled into this, the whole ur doing it wrong thing seems very parallel to some of the debates in Lewis scholarship/'scholarship'/worship. Joy Gresham, Mrs. Moore, Lewis' lifelong friend Arthur Greeves.
I mean, if you're going to go on at huge length about what the original author would have wanted, shouldn't you, y'know, learn something about his actual life?

lady_songsmith and andi_horton have both said, oh yes, please share your reading list!

And so knitress has said she will post her reading list. This is an interesting exercise in a couple of respects.

• There are a lot of people in the Narnia fandom who assert that adhering to Lewis' intent is very important, so illuminating what Lewis did intend and separating that from what others think he intended is interesting. I know some of you know far more about Lewis' life and art than I do, so do share, if you are so inclined.
• Stepping back a few meters, some folks really like this sort of exercise at the more philosophical level -- who if anyone has the right to interpret something once it is freed into the wilds. Assuming we do understand the author and what he or she intended, what modicum of respect is owed the original creator? Or his or her designee or progeny? Gresham named Ramandu's Daughter Liliandil for the DT film. Rowling asked once that people not include underage sexual content in HP fic? Does any of that mean anything? Should it?
• Last, there is the frustration all authors feel when the reader doesn't get what you intended. Sometimes it's a flaw in the writing; sometimes though it probably doesn't matter how clear you are, right? The reader is going to take what the reader is going to take.

In response to the above, divining authorial intent isn't something I usually worry about. I take a plain language view to borrow from a canon of statutory construction -- if it's there on the page, literally or thematically, it's fair game.  I'm more interested in exploring what I and others think about their work, and the community that develops around that exploration then I am in understanding more of what the author thought about his or her work. People pull more than I intended out of my work all the time and frequently I have no greater intent than "Shiny! let's try that!" and "Gosh I love that line. Let me build 10,000 words to include it." Or, "fandom poke. poke. poke."

Admittedly, TSG Peter and I both share extreme ineptitude in the areas of philosophy, theology, and languages. Being a shallow sort, I do not usually ask the big questions. (Though when I told Clio that, she said that I may assert the absence of a rear view mirror and claim inability to think big thoughts but that's because I pour my philosophical musings into fic.)  I decline to speculate as that would call for introspection.