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Tuesday, May 5th, 2026 12:53 pm
This week's prompt is exhibit.

Your response should be exactly 100 words long. You do not have to include the prompt in your response -- it is meant as inspiration only.

Please use the tag "prompt: #493 - exhibit" with your response.

Please put your drabble under a cut tag if it contains potential triggers, mature or explicit content, or spoilers for media released in the last month.

If you would like a template for the header information you may use this:

Subject: Original - Title (or) Fandom - Title

Post:
Title:
Original
(or) Fandom:
Rating:
Notes:




If you are a member of AO3 there is a 100 Words Collection!
Tuesday, May 5th, 2026 09:48 am
Live nearish to a school, and just saw a chain of students walk slowly by. Most were wearing red shirts, some of the adults beat frame drums. Intermittent singing of the Women's Warrior Song drifted across the street.

Today we hang red dresses and remember the women, girls and two-spirit people who could be wearing them, but are missing and dead.
Tuesday, May 5th, 2026 09:07 am
xposted from [community profile] polyamships for the prompt to write a ship manifesto for a favourite poly ship.


A still from s02e01 of Our Flag Means Death in which Izzy Hands is being bear-hugged from behind by Fang while Frenchie holds his hand, fingers interlaced.
Izzy Hands (right): a man who needs a multi-party introduction to hugging.


I talked about the Feral Five (Archie/Fang/Frenchie/Izzy/Jim) in the previous post about favourite poly ships, but for this manifesto I'd like to expand that further to All Deck on Hands—the inarguably perfect ship name for Izzy Hands and the entire crew of the Revenge.

(And how much do I love being in a fandom where a polycule straying into the double digits has a name and a fanbase?) Exact numbers on this polycule vary based on who's aboard the Revenge when the story's set, but for me, I'm most often adding Lucius Spriggs, Black Pete, Roach, Wee John Feeney, and Oluwande Boodhari to the previous fivesome in a post-canon setting.

But let's rewind.

The Whats and Whys and Hows of All Deck on Hands )

Visuals

A gifset sampler of Izzy with the crew by [tumblr.com profile] userarmand: https://userarmand.tumblr.com/post/736265400421056512/izzy-the-crew

The crew make a new prosthesis for Izzy:


Izzy's drag debut at the crew's celebration for Calypso's Birthday:
Tuesday, May 5th, 2026 12:40 pm
Everyone on Earth takes a private vote by pressing a red or blue button. If more than 50% of people press the blue button, everyone survives. If less than 50% of people press the blue button, only the people who pressed the red button survive. Which button would you press? BE HONEST.
Tuesday, May 5th, 2026 04:13 pm

Posted by Molly Templeton

News The Boroughs

The Boroughs Trailer Shows Us a Little More of Its “Special Town Just for Grownups”

Today’s award for Overly On the Nose Song Choice goes to “Golden Years”

By

Published on May 5, 2026

Screenshot: Netflix

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-boroughs-trailer-2/">https://reactormag.com/the-boroughs-trailer-2/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=847590">https://reactormag.com/?p=847590</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-boroughs/" class="inline-block link-no-animation" aria-label="Link to term or tag The Boroughs 1"> The Boroughs </a> </span> </div> <h2 class="post-hero-title text-h1"><i>The Boroughs</i> Trailer Shows Us a Little More of Its &#8220;Special Town Just for Grownups&#8221;</h2> <div class="prose post-hero-description prose--post-hero">Today&#8217;s award for Overly On the Nose Song Choice goes to &#8220;Golden Years&#8221;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on May 5, 2026 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Screenshot: Netflix</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/the-boroughs-trailer-2/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img fetchpriority="high" decoding="async" width="740" height="443" src="https://reactormag.com/wp-content/uploads/2026/05/alfred-molina-boroughs-740x443.jpg" class="w-full object-cover" alt="Alfred Molina in the back of a car in the Netflix series The Boroughs" srcset="https://reactormag.com/wp-content/uploads/2026/05/alfred-molina-boroughs-740x443.jpg 740w, https://reactormag.com/wp-content/uploads/2026/05/alfred-molina-boroughs-1100x659.jpg 1100w, https://reactormag.com/wp-content/uploads/2026/05/alfred-molina-boroughs-768x460.jpg 768w, https://reactormag.com/wp-content/uploads/2026/05/alfred-molina-boroughs-1536x920.jpg 1536w, https://reactormag.com/wp-content/uploads/2026/05/alfred-molina-boroughs.jpg 1669w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Screenshot: Netflix</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>When it comes to Netflix&#8217;s <em>The Boroughs</em>, I am Alfred Molina&#8217;s doubtful expression: The <a href="https://reactormag.com/the-boroughs-trailer/" target="_blank" rel="noreferrer noopener">previous trailer</a> was unconvincing, and Netflix&#8217;s insistence that this series comes from the <em>Stranger Things</em> guys is a touch misleading. They <em>are</em> executive producers, but the show&#8217;s creators and showrunners are Jeffrey Addiss and Will Matthews, who also created <em>The Dark Crystal: The Age of Resistance</em>. That is a different species than <em>Stranger Things</em>!</p> <p>But like Molina in this trailer—which begins with him skeptical and cranky about moving to the titular retirement community—I am being slowly won over. Molina, whose character Sam is described as a grieving widower, is the newest resident of the Boroughs, which is already home to &#8220;a curmudgeonly ex-engineer, a sharp-witted former journalist, a spiritual seeker, a cynical music manager, and a brilliant doctor running out of options.&#8221; Those characters are played by Geena Davis, Alfre Woodard, Denis O&#8217;Hare, Clarke Peters, and Bill Pullman, though to be honest I am not entirely clear who&#8217;s playing whom. I suspect O&#8217;Hare is the cynical music manager, which is excellent casting for the former vampire king of Mississippi (on <em>True Blood</em>).</p> <p>According to Netflix, this gaggle of retirees find their lives changed &#8220;when a terrifying nighttime encounter reveals that something monstrous is stalking the manicured cul-de-sacs.&#8221; The truth is out there—perhaps on the golf course, perhaps in the pool. Probably not at the bar, but one never knows. Are the creatures aliens? Friends? Foes? The result of terrible experimentation on older folks?</p> <p>Co-creator Addiss told <a href="https://www.netflix.com/tudum/articles/the-boroughs-trailer">Tudum</a> that it was “fundamentally important&#8221; that the characters&#8217; ages are not played for jokes. “It is part of why they are our heroes,” he said. The point of the show is to ask what these folks—and anyone—will do with the time they have left. &#8220;It was important to us that was the question because it’s a question that anybody can ask. It’s a question that any audience of any age can ask,&#8221; Addiss said.</p> <p><em>The Boroughs</em> premieres on Netflix on May 21st.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="11126"/> </div></figure> <p>The post <a href="https://reactormag.com/the-boroughs-trailer-2/">&lt;i&gt;The Boroughs&lt;/i&gt; Trailer Shows Us a Little More of Its &#8220;Special Town Just for Grownups&#8221;</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/the-boroughs-trailer-2/">https://reactormag.com/the-boroughs-trailer-2/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=847590">https://reactormag.com/?p=847590</a></p>
Tuesday, May 5th, 2026 05:21 pm
This title is *deeply* weird about reproduction.
Elementals, seals, and shelled eggs?
John's life is far weirder...

... I interrupted that thought with wondering if this story is why they thought of making Zari dragon girl...

ANYway

I am not convinced the ending was as cool as the art for it, but that was a solid story arc.

Also the chatty papers in the back that I read some of made some statements about John as he was planned :
that he has no power of his own, just knows a guy who does,
and that all his ghosts are symptoms, not actual hauntings at all.

Constantine 2014 made some very different choices there, like JLDark before it.

I like Constantine best when he is a guy dealing with both mental illness and an awareness there are problems there are dangers a lot of people don't want to acknowledge are real. It's relatable. He is going through hell and it is sometimes not his biggest problem. See also the bit on and then off the train.

The story from the annual about the old king and Ravenscar was odd but did push the interpretation back to dark on all that girl power stuff.

... also, still weird about reproduction.

The issue of Sandman landed very oddly in the middle of all that, and not only because the art put him back in his old clothes. More like it's an odd moment to have his nightmares resolved by some big spooky Power. It's a story arc about fear, and he's getting his fears held back by Morpheus? Odd. Not a particularly good journey for John. Doesn't give us much about Morpheus. Very messy though.

Sometimes the crossovers make things more themey and satisfying, sometimes I'm not so sure.
They do beat heck out of the JLDark crossover noise situation.

ANYway, I shall probably come back to this later, if I can resist unwrapping the next volume
but since I already let myself get distracted from ever eating lunch because comics was right there
I shall leave that a few days and attend to basic maintenance a bit...
Tags:
Tuesday, May 5th, 2026 12:31 pm
Title: Formless, Soundless
Fandom: Hikaru no Go
Rating: G
Wordcount: 3809
Characters/Relationships: Gen, outsider POV, ensemble
Contains: N/A
Summary: A Reddit user makes a post about the mysterious and unsolved case of the Go player only known as 'Sai' and discusses theories about their identity.
Note: Posted for 5/5

Link to AO3
Tuesday, May 5th, 2026 06:24 pm
Title: aposematism
Rating: Teen
Category: F/F
Fandom: The Pitt
Author: shroomy(y)star
Ship/Characters: Yolanda Garcia/Trinity Santos
Warnings/Notes: pre-s2, situationships, dysfunctional relationships, non-explicit sex
Word Count: 1500
Summary: Aposematism is the advertising by an animal, whether terrestrial or marine, to potential predators that it is not worth attacking or eating.

ao3 | dreamwidth
Tuesday, May 5th, 2026 04:00 pm

Posted by Sarah

Books Terri Windling

Terri Windling’s The Wood Wife Continues to Inspire

The novel is a living conversation between art and poetry, the past and the present, nature and community…

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Published on May 5, 2026

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<p class="syndicationauthor">Posted by Sarah</p><p class="ljsyndicationlink"><a href="https://reactormag.com/terri-windlings-the-wood-wife-continues-to-inspire/">https://reactormag.com/terri-windlings-the-wood-wife-continues-to-inspire/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=847117">https://reactormag.com/?p=847117</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/terri-windling/" class="inline-block link-no-animation" aria-label="Link to term or tag Terri Windling 1"> Terri Windling </a> </span> </div> <h2 class="post-hero-title text-h1">Terri Windling&#8217;s <i>The Wood Wife</i> Continues to Inspire</h2> <div class="prose post-hero-description prose--post-hero">The novel is a living conversation between art and poetry, the past and the present, nature and community&#8230;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/alex-dueben/" title="Posts by Alex Dueben" class="author url fn" rel="author">Alex Dueben</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on May 5, 2026 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/terri-windlings-the-wood-wife-continues-to-inspire/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> 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9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2026/04/the-wood-wife-terri-windling-740x407.png" class="w-full object-cover" alt="cover of The Wood Wife by Terri Windling" srcset="https://reactormag.com/wp-content/uploads/2026/04/the-wood-wife-terri-windling-740x407.png 740w, https://reactormag.com/wp-content/uploads/2026/04/the-wood-wife-terri-windling-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2026/04/the-wood-wife-terri-windling-768x422.png 768w, https://reactormag.com/wp-content/uploads/2026/04/the-wood-wife-terri-windling.png 1400w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>This year marks the thirtieth anniversary of the publication of <em>The Wood Wife</em>. When first published, Terri Windling was a familiar name to many as an editor at Ace and Tor, the editor and co-editor of seemingly countless anthologies and books, the creator and editor of the Borderland shared universe. She’s had a long career as a writer of books for children, a critic and scholar, and artist. Windling has lectured at Oxford University, founded Endicott Studio, co-edited the Journal of Mythic Arts from 1987-2008, contributed to<em> The Oxford Companion to Fairy Tales</em>, collaborated with Brian and Wendy Froud on multiple projects.</p> <p>Her career has been so vast and varied that writing a debut novel that was awarded the Mythopoeic Award, and has since been republished as part of the Tor Essentials series, might be seen as just one among many impressive accomplishments, depending on how you first encountered her work.</p> <p>And yet <em>The Wood Wife</em> is what I think of when I think of Windling.</p> <p>It’s the story of Maggie Black, a poet turned journalist, who inherits the estate of the reclusive poet Davis Cooper, her friend and former mentor with whom she’s been corresponding for decades. Middle-aged, divorced, and no longer at home in Los Angeles, Black intends to put Cooper’s affairs in order and finally start the biography of Cooper that she’s wanted to write for years. But she soon finds herself falling in love the with the desert, fascinated by a younger man who lives nearby, and coming face to face with the wild spirits who are tied to the mysterious deaths of Cooper and his wife.</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/the-wood-wife-tor-essentials.jpg" class="attachment-full size-full" alt="cover of the Tor Essentials edition of The Wood Wife by Terri Windling" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <!-- <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/the-wood-wife-tor-essentials.jpg" class="attachment-full size-full" alt="The Wood Wife" /> --> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/the-wood-wife-tor-essentials.jpg" class="attachment-full size-full" alt="cover of the Tor Essentials edition of The Wood Wife by Terri Windling" role="presentation" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">The Wood Wife</h3> <p class="shop-the-book-author">Terri Windling</p> </div> </div> <button type="button" class="inline-block px-8 py-4 text-center btn tablet:py-3 text-h6 bg-red text-white shop-the-book-button" id="buy_book" data-trigger="modal" data-target="#modal-1777998811" aria-open="false" aria-label="Buy Book"> <span class="inline-flex items-center button-label btn-label"> Buy Book </span> </button> </div> </div> <div id="modal-1777998811" class="shop-the-book-modal"> <div class="shop-the-book-modal-inner testclass"> <button class="js-modal-close absolute top-5 right-5 z-10" type="button" aria-label="icon-close"> <svg class="w-[19px] h-[19px]" width="18" height="19" viewbox="0 0 18 19" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="close" role="img" aria-hidden="true"> <path d="M1 17L17 1" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M1 17L17 1" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-width="2" stroke-linecap="round" /> <path d="M17 17.0809L1 1.08093" stroke="black" stroke-opacity="0.2" stroke-width="2" stroke-linecap="round" /> </svg> </button> <div class="shop-the-book-modal-content"> <figure class="shop-the-book-modal-image-desktop image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/the-wood-wife-tor-essentials.jpg" class="attachment-full size-full" alt="The Wood Wife" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-modal-image-mobile image-cover"> <img decoding="async" width="300" height="450" src="https://reactormag.com/wp-content/uploads/2026/04/the-wood-wife-tor-essentials.jpg" class="attachment-full size-full" alt="The Wood Wife" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-modal-title">The Wood Wife</h3> <p class="shop-the-book-modal-author">Terri Windling</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/1250237556?tag=tordotcomgeneral-20" data-book-title="The Wood Wife" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9781250237552" data-book-title="The Wood Wife" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9781250237552" data-book-title="The Wood Wife" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9781250237552" data-book-title="The Wood Wife" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>Many of the threads, themes, and prevailing interests that wind through Windling’s career can be glimpsed in the text, which weaves together surrealism and the supernatural, magical realism and mythic lore. Fantasy is a living tradition, and Windling’s debut novel is the work of one who has spent years immersed in the genre; it exists in conversation with the anthologies she’s edited, but also with writers from the past and contemporaries working in a similar vein, including Mary Stewart and Patricia A. McKillip, Peter S. Beagle and Jane Yolen, Ellen Kushner and Charles de Lint.</p> <p>I think of all art as a conversation between practitioners and critics and readers and scholars, and so while Windling is not primarily known as a novelist, she has always been in constant conversation with those people and those ideas. In the same way that launching a series of anthologies of fairy tale retellings, or putting different writers with vastly different styles and approaches side by side in a collection of <em>The Year’s Best Fantasy and Horror</em>, writing <em>The Wood Wife</em> is a way of continuing that conversation.</p> <p>The book had its origins in a planned series of novellas based on the artwork of Brian Froud before, as Windling writes in the Author’s Note “the original tale shape-shifted and became the novel herein.” The magic of Froud’s work is in the book and his influence is in the text, but this is a story first and foremost about the desert. This is a novel of landscape, and Windling cites many of her inspirations in her Author’s Note, including Edward Abbey and Charles Bowden. I keep thinking of Terry Tempest Williams and Gary Snyder and so many other naturalists as ultimately being more central to the book than Froud.</p> <p>When I read the book in the late 1990s, I had never been to the desert, and while I’ve never visited Tucson or the Rincon Mountains, where the book is set, I’ve since spent time in other deserts, in the U.S. and the Middle East. I’ve seen the desert in bloom, watched the sun set and stars rise, seen the light change over the course of the day in ways that are startling. This constantly changing light in the desert is something that people have long written about and depicted in art, and this experience is a key part of the novel. Shape-changing is a theme of the book, and the desert-dwelling creatures who live in the mountains are changing shape.</p> <p>Every desert is different, though. In the mythology of the book there is a universal shape to the world beyond what most people see or understand, but the creatures are unique to the desert landscape.</p> <p>Their forms shift and transition, remaining fluid, and there’s a sense in the novel that humans have a tendency to try to shape forces and ideas into solid forms, personalizing and anthropomorphizing them in ways that limit them, and limit our own understanding. Yet there are rules and patterns that recur in the natural and supernatural spaces in this book and elsewhere. Ritual and imitation. Offerings and sacrifices. Blood and death. There is always a cost to knowledge and experience. An amorality that is chilling, and yet, it is part of the essence of the natural world.</p> <p>Like any good book, <em>The Wood Wife</em> is about many things, and one of them is middle age. I know that many find it a depressing term, but speaking as one on the far side of forty, I feel comfortable using it. This is a book that doesn’t see this period of life as something to grieve, but as an opportunity for reinvention and transformation. This is a book about change and Maggie is at the heart of it. Her exact age is never given, but I think of Maggie as somewhere between 35 and 45. Not old, but no longer young. Running away from the past—her ex and a Los Angeles that no longer feels like home—as much as running towards the future.</p> <p>Again, very middle-aged.</p> <p>Maggie—who was Eat, Pray, Loving her heart out before it was fashionable—takes the work of inheriting Cooper’s estate seriously, and is ready start work in earnest on the biography that she’d first approached him about years ago, though he’d demurred at the time. She wants to go through his unpublished work, and the paintings of his late wife. She also wants to understand him better. Over the years Cooper had become something of a mentor to her, but always kept Maggie at a remove. Writing the biography of him is a project that will both bring her closer to him and benefit her own career at the same time. It’s a freelancer mindset.</p> <p>Maggie is many things, and is known for her articles and her essays, but when asked who she is, she struggles to answer. Ultimately, though, she replies, “I still feel like a poet—that’s just how the world looks to me.”</p> <p>This is a book about poetry. The novel opens with an epigraph from Goethe: “Who wants to understand the poem / Must go to the land of poetry.”</p> <p>For Maggie, being in the desert helps her to rethink and comprehend Cooper&#8217;s poetry in a new way. He wrote about a landscape, and as she understands the place, she understands his work differently. But that is not the land of poetry. This is a book about art and artists and craftsmen and creation. A book infused with art and literature, poems within the text that shaped the characters, who rattle off lines from memory that they know in their bones. As a teenager discovering this book, that was what I wanted. To live a life infused with art and literature and meaning. Though Windling was also careful to note—not that I noticed back then—that money is always a concern.</p> <p>While the book exalts poetry, it never suggests that other art is inferior. (Though it clearly has opinions about magazine articles.) There are painters and paper makers, book binders and musicians, there is dancing and food—all these creative forms that express joy and what it means to be human. At one point Maggie attends a concert only to the find the band’s name is “Big Bad Bayou Rattler Boys,” asking “What kind of a name is that?”</p> <p>“There are musicians out of four different bands jamming together tonight. Bayou Brew is a Cajun band. Diamondback Rattlers are Tex-Mex, mostly. Big Bad Wolf plays Celtic punk and the Momba Rhomba Boys are reggae,” her neighbor Dora explains.</p> <p>In the same way that the band represents a jubilant fusion of musical styles and traditions, the book similarly embraces all of these different arts and the people who make them. These expressions of creativity and joy that Windling loves and sees as part of the human landscape—as important and vital to document as her descriptions of the saguaros and the sunsets. More so, because so many of the characters don’t see themselves as artists, or see what they do as important. Maggie insists otherwise, affirming the power of creativity against characters’ protests that their work has no value. I suspect these protestations echo sentiments that Windling herself has likely heard people express about their work and what they do, over the years.</p> <p>It is a beautifully felt and deeply understood vision of life that is both cosmopolitan and very specific to this patch of the Sonoran desert where a British expatriate poet like Cooper—a figure who brings to mind D.H. Lawrence or Malcolm Lowry or other Europeans who fled to the Americas—settled and married a Mexican painter, who drew from the surrealist tradition to depict the desert landscape and these visions. There’s a very long tradition of artists who were making art about the desert and the fantastic and surreal leading up to the present day, and though they are fictional, Windling clearly thinks of those artists and those traditions as just as much a part of the artistic conversation.</p> <p>I’m making the novel sound far more academic than it is. These elements are embedded in the text, just as the thoughtful critiques and reappraisals of fairy tales were at the heart of<em> Snow White, Blood Red </em>and other books in that anthology series. Windling knows that she could write an essay, but she wanted to tell a story.</p> <p>Just as the story comes first, art is not simply a metaphor in the novel. It a part of living, an extension of life and a reaction to life and the land. Windling has a point to make about art and artists…about those who prioritize art over life. Maggie does respect her ex-husband despite his many flaws because she knows that he is talented, but on reading an article about him and his band Estampie, she observes:</p> <p>There was no hint of the Nigel she knew…in the <em>Times</em> version of Nigel’s history, Estampie was the labor of one brilliant man. Never mind the group, much less the network of people who stood behind the group, who had formed the safety net beneath the highwire rope of success Nigel walked. It wasn’t Nigel’s fault really; this was the mold their culture fit heroes in. The independent man, the solitary cowboy striding into town at high noon.</p> <p>This is one of Windling’s triumphs, to emphasize the ecosystem that exists around and behind every writer and artist. One cannot help but think that it is because she spent so many years as an editor, a vital but largely invisible presence. Goethe’s land of poetry takes many shapes, and one of them is a network of teachers and mentors and friends and neighbors and supporters. One does not emerge from nothing. Art is not the work of solitary geniuses, but of a community.</p> <p>In piecing together the story of Davis and Anna, how their lives play out against the aged and ancient backdrop of the mountains and the landscape, the events can feel somewhat distant, taking place in the past. It’s something I think Windling recognized, because she also gives us the current-day story of two of Maggie’s neighbors, Dora and Juan. Maggie gets to know them and we see their push and pull of art and ambition, of relationships changing shape. The pain and anger when a possessed Juan burns not just his own paintings but Dora’s work as well. Windling wants us to feel that pain and violence. She wants it to hurt. This may be a faerie story, of sorts, but that doesn’t mean it’s something to regard at a safe remove.</p> <p>After all, Windling is the woman whose work on fairy tale retellings helped remind us that these stories were never sweet and simplistic children’s tales, but far darker and more complex. Reminding us that even if the worst is averted, the lessons they teach us are never bloodless or without cost. These stories are as savage as nature.</p> <p>I think about that in the context of <em>The Wood Wife</em>. That the human world—the physical, social, spiritual world that we have built up in urban and rural places—as being a small fraction of this larger, vaster world. That we are all subject to nature. That’s true whether we are talking about this novel and these characters, or the vastness of cosmic horror, or the way Gabriel García Márquez wrote about “the crystalline miracle” that is ice. (Which, in the desert, really can seem like magic.)</p> <p>Rereading the book now, I want Windling to write more. I know that she’s a busy woman who has written many stories and created paintings and poems—including one involving Tat, one of the minor characters in the novel—but I remain a little sad that this is her only novel for adults. I don’t think I realized how little I knew about Windling until I sat down to write this article, discovering one dead link after another, but I don’t think that really matters.</p> <p>Rereading the book, I was reminded of my younger self crushing on Maggie. Or rather, vividly remembering both wanting Maggie and wanting to be Maggie. Some of that was shallow…I recall the description of when they went out dancing: “Maggie took off her black suit jacket and threw it back to the table. Underneath she wore a man’s sleeveless undershirt–cooler, and rather sexy, Dora thought.” Maggie effortlessly pushing past gendered expectations in so many ways that reminded me of more than one poet I have fallen for. But it wasn’t completely shallow. One of the letters she exchanged with Cooper early in their correspondence read, “You interest me greatly, Marguerita Black.” Isn’t that what we all hoped for from our encounters with our elders? To find someone who sees something in us, and takes an interest in our work, inviting us into the conversation.</p> <p>In thinking about the book, I keep coming back to “Dammas”—a word that is central to the novel and its shape and meaning, though it’s never given a proper definition in the course of the text. “Beauty. Motion. That-Which-Moves,” as one character describes it. Or as another said, “what my Dineh relatives would call hohzo: walking in beauty. That is how a man should live his life. If he doesn’t, he sickens and dies.”</p> <p>As the characters talked about this and “the spiral path,” this cyclical vision of time, I kept picturing Robert Smithson’s <a href="https://en.wikipedia.org/wiki/Spiral_Jetty">Spiral Jetty</a>, a massive rock sculpture built into the Great Salt Lake. It reflects how I think of Windling’s novel—as simultaneously part of the landscape and something human that overlays it.</p> <p>As a Boy Scout I was taught to take nothing but photographs and leave nothing but footprints. <em>The Wood Wife</em>, like so many works of art that are about and have been defined by a place leave far more, and yet do not impose themselves upon the land. It doesn’t seek “to turn it into New Jersey,” as one character in the book complains about cookie-cutter housing developments, but like the constructed borders, of cities, counties, countries, which lay upon the land like fictions, these stories exist in a way that offers the possibility to either see and understand a landscape on a deeper level, or to obscure it.</p> <p>This is a book that pushes against easy, facile descriptions of art and gender, mythology and culture. Not that these ideas are meaningless, but people and nature are far too complex to be summed up in binaries or neatly divided by borders. The natural world has its own rhythms and meanings, which we are subject to. In Windling’s hands, the only thing more magical and dangerous than the supernatural is the physical landscape and the forces of nature—just as the only thing more magical and uncertain and powerful than art is the heart.[end-mark]</p> <p>The post <a href="https://reactormag.com/terri-windlings-the-wood-wife-continues-to-inspire/">Terri Windling&#8217;s &lt;i&gt;The Wood Wife&lt;/i&gt; Continues to Inspire</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/terri-windlings-the-wood-wife-continues-to-inspire/">https://reactormag.com/terri-windlings-the-wood-wife-continues-to-inspire/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=847117">https://reactormag.com/?p=847117</a></p>
Tuesday, May 5th, 2026 11:41 am
The third installment of AMC's The Terror premieres on May 7. Stars Dan ("Downton Abbey") Stevens

Here's the trailer:




Tuesday, May 5th, 2026 01:00 pm

Posted by Jen

Because bad poems and bad cakes go together like two things that go together and also rhyme.

 

Long like the trombone
are a giraffe's neck bones
7 bones
Bony bones
But Phil only had one bone.

Sucks to be you, Phil.

*******

 

There once was a baker called Smit
Whose spelling was never a hit
From what I have heard
He botched ev'ry word
Except one: that guy knew his...

...stuff.

****

Elsa didn't know
Until blood started flowing
What she'd created

****

 

DO NOT

stand

in
         cake
             case

[whispering] Bakeryyyyy

****

 

Once in a season, very near Fall
From deep in the forest, trees shady and tall

Comes something peculiar, and so seldom seen
Like a leprechaun's gold, or a unicorn's spleen

Look quickly, my brethren, for with any luck
You'll be graced with the majesty of 
Weenie Buck

*snapsnapsnap*

 

Thanks to Keelan M., Julia C., Jess K., Kia H., & Kristy D. for helping us channel our inner Charlie McKenzie. ("WOMAN! Whoaaaaa-MAN!")

*****

P.S. I see you appreciate poetry. Might I recommend...?

I Could Pee On This, And Other Poems By Cats
*****

And from my other blog, Epbot:

Tuesday, May 5th, 2026 02:59 pm

Posted by Ask a Manager

A reader writes:

I work at a creative company with 50+ people on staff, about 30 of whom come into the office regularly. It’s a great place to work overall, but I’ll be honest, I’m in a bit of a humbling professional moment. After being laid off from my more senior role earlier this year, I took on a junior position here because, well, times are hard and you do what you have to do.

Part of my current role involves managing the studio space, which includes keeping our small kitchenette tidy and running the dishwasher. I actually don’t mind this, I run the washer every night before I leave and empty it in the morning so there’s always space for dishes. What I do mind is that a subset of my colleagues continue to leave their dirty dishes and cups piled up in the sink despite the fact that a perfectly functional dishwasher is right there.

I’ve already sent a group message asking people to put their dishes directly in the dishwasher instead of leaving them in the sink, and for a while it helped, but old habits are creeping back. I’m now regularly cleaning up after adults who absolutely know better.

Truthfully, I know that cleaning the kitchen is technically part of my job. But having spent years in more senior roles, there’s something that stings about feeling like the office maid for people who can’t be bothered with basic courtesy. I’m aware that might be an ego thing on my part, and I’m trying to keep that in mind, but it’s hard.

My question is: how do I communicate, clearly and professionally, that this behavior needs to stop, without coming across as either a pushover or someone who’s overstepping? Is there a way to escalate this that doesn’t make me look like I’m making a big deal out of dishes? And is there anything I can do to manage my own frustration in the meantime?

This hinges on whether cleaning up other people’s dishes is supposed to be part of your job. In some offices it might be, with the idea that they want other people to be able to get back to their own jobs more quickly or not have to take time out between back-to-back meetings and/or they’ve accepted the reality that if they don’t specifically make it part of someone’s job, the kitchen quickly becomes chaos.

If it’s an intentional part of your job … well, then it’s the job, even if stings. If that’s the case, you have a few options: you can work on seeing it as perfectly dignified work, even though it’s different from the work you’re used to, or you can pitch your boss on making it not part of the job (although that may be challenging if they specifically want someone charged with it so that other people can back to their own jobs more quickly), or you can decide you’re not interested in a job that includes this element and look elsewhere. But if it’s genuinely part of the role and not your colleagues just being thoughtless, you’ve got to accept that as the reality of this position and try not to stew over it.

On the other hand, if it’s not supposed to be part of your job — if people are supposed to deal with their own dishes and you just run the dishwasher at the end of the day and keep the rest of the space clean — that’s different. If that’s the situation … well, you have a battle ahead of you. That’s frequently the case with office kitchens, which often suffer from the tragedy of the commons (where no one feels like it’s really their responsibility to take care of a shared resource). You’re looking for a way to tell people “cut this out” that will actually get through to them and doesn’t involve you melting down in a fit of rage, but as generations of people annoyed by messy office kitchens will tell you, there is no such magic string of words. Instead, realistically, your choices are:

* Continue the cycle where you remind people, they get better for a while, and then they backslide.

* Enlist someone who has the power to lay down the law with your coworkers about this (which they may or may not be willing to do in a way that really has teeth — and in practice, they might not be inclined to hassle a top performer who left a mug in the sink while running between meetings).

* Convince someone above you that the only way to solve this is with more extreme measures, like letting you throw out any dishes that are left in the sink at the end of the day, moving all the dishes left at the end of the day to a “dirty dishes box” where they will eventually get thrown out if not reclaimed, or switching the kitchen to only disposable dishes and utensils (possible, but they’d need to agree the problem is bad enough to warrant that, and there’s an environmental cost to doing that).

* Find a way to make peace with it (even if that’s just deciding that annoying as it is, you like the money you get for dealing with it).

The post my coworkers leave dirty dishes in the sink and expect me to clean them up appeared first on Ask a Manager.

Tuesday, May 5th, 2026 03:00 pm

Posted by Stefan Raets

Books The Wheel of Time

Reading The Wheel of Time: A Proposal, a Battle and a Rescue in The Gathering Storm (Part 24)

When the Seanchan attack the White Tower, Egwene meets the moment.

By

Published on May 5, 2026

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-a-proposal-a-battle-and-a-rescue-in-the-gathering-storm-part-24/">https://reactormag.com/reading-the-wheel-of-time-a-proposal-a-battle-and-a-rescue-in-the-gathering-storm-part-24/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=847546">https://reactormag.com/?p=847546</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/books/" class="inline-block link-no-animation" aria-label="Link to term or tag Books 0"> Books </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-wheel-of-time/" class="inline-block link-no-animation" aria-label="Link to term or tag The Wheel of Time 1"> The Wheel of Time </a> </span> </div> <h2 class="post-hero-title text-h1">Reading The Wheel of Time: A Proposal, a Battle and a Rescue in <i>The Gathering Storm</i> (Part 24)</h2> <div class="prose post-hero-description prose--post-hero">When the Seanchan attack the White Tower, Egwene meets the moment.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/kjbarrett/" title="Posts by Sylas K Barrett" class="author url fn" rel="author">Sylas K Barrett</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on May 5, 2026 </p> </div> 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12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-740x407.png" class="w-full object-cover" alt="Reading The Wheel of Time on Tor.com: The Gathering Storm" srcset="https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-740x407.png 740w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12-768x422.png 768w, https://reactormag.com/wp-content/uploads/2021/11/ReadingWOT_TGSbook12.png 951w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Hello hello, and welcome once and again to Reading The Wheel of Time! This week we are covering chapter 40 and 41 of <em>The Gathering Storm</em>, in which the White Tower attempts to mount a defense against the Seanchan, Egwene is resplendent, and Siuan, Bryne, and Gawyn mount a rescue of their Amyrlin. Exciting stuff! Let’s get to recapping!</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>After Egwene is pulled from <em>Tel’aran’rhiod</em>, Siuan wakes and tells Bryne that something is wrong, and that she is worried that Elaida has decided to execute Egwene after all.</p> <p>A panicked call from outside the tent interrupts their conversation. A young soldier enters to describe strange happenings over the White Tower—bursts of light and dark shapes in the air. Siuan realizes that the Seanchan attack Egwene Dreamed of has begun. She decides to take matters into her own hands and get Egwene out. Bryne reminds her that Egwene forbade a rescue, and states that he will not go against Egwene’s orders. Siuan declares she will go find someone she knows will help her.</p> <p>As the White Tower shakes under the Seanchan assault, Egwene urges Nicola towards self-control. Through a window she can see <em>to’raken</em> in the air, and the brilliant weaves spun by the <em>damane</em>. She can also see the <em>to’raken</em> landing on the Tower, hanging like bats, as their riders enter the Tower though the holes blown in the walls. She pushes down her terror, despite the fact that the forkroot she drank has not yet worn off enough for her to channel more than a trickle of <em>saidar</em>. She and Nicola find more novices, who are encouraged by the presence of the Amyrlin. Egwene begins to teach them to link, and once Egwene has a few novices linked with her, she has enough power to open a gateway.</p> <p>She Travels to the 13th depository, where she finds a collection of <em>angreal</em>, <em>ter’angreal</em>, and <em>sa’angreal</em>. She finds what she is looking for, a fluted white rod that is one of the most powerful <em>sa’angreal</em> the White Tower possesses.</p> <p>Gawyn is more than eager to help Siuan rescue Egwene. While Siuan waits for Gawyn to fetch horses, Bryne continues to try to talk her out of the rescue attempt. But when Siuan asks if he thinks he can stop her, Bryne reluctantly relents and agrees to come with her—on two conditions. The second he will hold for a later date, but the first is that Siuan take Bryne as a Warder.</p> <p>Siuan hasn’t considered taking a Warder again, not wanting to experience the pain of losing one after Alric. But she can’t pass up the opportunity to have Gareth Bryne bonded to her, and to feel his emotions. Once the bond is made, she is shocked at the strength of his love and concern for her. Bryne remarks that he wishes he could give this kind of awareness to all his soldiers.</p> <p>When Gawyn returns, Siuan is delighted to see that he has brought Bela.&nbsp; Accompanied by Bryne and a hundred guards, Siuan and Gawyn set out to enter the watergate through which Shemerin escaped Tar Valon.</p> <p>In the White Tower, Adelorna Bastine, the Captain-General of the Green Ajah, flees through hallways and stairwells. She is ashamed and overwhelmed by how ineffectual the Green has been against the Seanchan attack. After eluding one attempt to shield her, she is successfully shielded, then caught by flows of air and hauled backwards. Two <em>sul’dam</em>&#8211;<em>damane</em> pairs have caught her. A third <em>sul’dam</em> puts the collar around Adelorna’s neck. She has a moment to feel disbelief and despair.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Then, shockingly, the collar unclipped from Adelorna’s neck and fell to the floor. Gregana looked stunned for a moment before she was consumed in a blast of fire. Adelorna’s eyes opened wide, and she shied away from the sudden heat. A corpse in a blackened red and blue dress crumbled to the ground before her, smoking and reeking of burned flesh. It was then that Adelorna became aware of an extremely powerful source of channeling coming from behind.</p></blockquote></figure> <p>The collars on the two <em>damane</em> are also unlocked by flows of air, and their <em>sul’dam</em> incinerated, one by lightning, the other by fire. The soldiers fall back, panicked, leaving only Egwene, surrounded by a halo of power, holding a <em>sa’angreal</em> Adelorna recognizes.</p> <p>At Egwene’s direction, novices help Adelorna up and take control of the two <em>damane</em> while Egwene begins channeling, striking out through the hole in the tower to fell one of the flying beasts. When Adelorna asks about possible captives among the beasts’ riders, Egwene answers that they are better off dead than taken by the Seanchan.</p> <p>Adelorna is further shocked to see Egwene use a gateway. Egwene admits that she is only letting Adelorna see the weaves because she has learned that Elaida has Traveling. That means that the Seanchan likely soon will too; all they have to do is capture one woman to whom Elaida has shown the weave. When Adelorna expresses surprise that Egwene could have fled the Tower at any time and chose not to, Egwene responds that leaving would not have been fleeing, but abandoning the Aes Sedai. She is the Amyrlin Seat, and she Dreamed this very attack.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Come,” Egwene repeated. “We must be quick. This is just a raid; they’ll want to grab as many channelers as possible and be off with them. I intend to see that they lose more <em>damane</em> than they gain Aes Sedai.”</p></blockquote></figure> <p>Siuan and her companions take boats out onto the river, underneath the blaze of fighting in the sky and in the White Tower. They find the watergate, and as Siuan and Bryne discuss the origins of the tunnel, Gawyn controls his breathing and thinks about how glad he is to finally be doing something to help Egwene.</p> <p>Once they leave the tunnel, tying up their boats at a landing and ascending a set of stairs, Bryne dresses his soldiers in fake uniforms that mimic those of the Tower Guard, and has Siuan walk in front, with himself and Gawyn posing as Warders, so that they can travel the streets freely.</p> <p>On the ground floor of the Tower, Saerin has taken over a center of operations that has been established by some of the sisters. Moradri, a Green, fills her in on the state of things, noting the location of some resistance groups on the ground floor and reporting that Elaida’s whereabouts are unknown. As she is issuing further orders, Saerin is interrupted by the arrival of four Reds, including Katerine, who attempts to take command. Saerin refuses to yield control to her, or to go on the offensive. She reminds Katerine that she is a Sitter, and also that Egwene predicted this attack. It is clearly a raid, and the best course of action is to fortify their defenses and protect themselves; the Seanchan will withdraw once the battle stops favoring them so strongly.</p> <p>They begin to realize that some of the booming noises they are hearing are directed outward from the Tower, rather than the other way around. Just then a soldier comes running in to announce that there is a second rallying point for the defense, up where the Brown Ajah quarters used to be.&nbsp; Saerin realizes that there is only one reason for a successful defense coming from the novices’ quarters: Egwene is leading it.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Each faceless Seanchan that Egwene struck down seemed to be Renna in her mind’s eye. Egwene stood at an open hole in the side of the White Tower, wind pulling at her white dress, tugging at her hair, howling as if in accompaniment to her rage.</p></blockquote></figure> <p>Egwene’s anger is cold and calculated, not out of control. She stops herself from thinking about how much better the Tower might have done mounting a defense if Elaida had taken Egwene’s warning seriously and prepared for the attack. Her anger is the anger of justice, of the Amyrlin; it strikes down <em>raken</em> and <em>to’raken</em>, feeling like she is made of the One Power as she defends the Aes Sedai. The Seanchan forces try to attack or shield her, but she is too strong for them. Still, she knows that many <em>to’raken</em> have escaped, taking prisoners with them.</p> <p>Down in the courtyard, Bryne narrowly avoids being crushed by a falling <em>raken</em> as he and his men engage fleeing Seanchan soldiers. After witnessing an astoundingly impressive bit of swordplay from Gawyn, Bryne’s attention is drawn to an Aes Sedai standing in one of the holes in the Tower, doing an incredible amount of channeling. Above her, Bryne can see captives being collected from the roof of the Tower and carried away by the flying beasts.</p> <p>As the fighting ebbs, Bryne realizes that Siuan is nowhere to be seen. Fortunately the bond tells him that she is safe. As he is organizing his men—some wounded will retreat to the boats, while others must stay in the courtyard and hope that they are found and Healed by Tower Aes Sedai—Siuan returns, towing a novice named Hashala, who tells them Egwene’s current whereabouts. Hashala asks to come with them, declaring that she is loyal to the true Amyrlin.</p> <p>When Siuan feels Bryne’s distress at leaving wounded men behind—three will not survive their wounds long enough to be found by Tower Aes Sedai—she insists on pausing and Healing the men herself. As she works, Bryne contemplates her skill and the damage done to the White Tower. Suddenly a shadow moves by the tree. Bryne moves without thinking, his years of training combining with the enhanced senses of the Warder bond, and puts his sword through the throat of Siuan’s would-be attacker.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>All was still. Siuan, shocked, looked up from the man she was Healing. Bryne’s sword extended directly over her shoulder and into the neck of a Seanchan soldier in pure black armor. The man silently dropped a wickedly barbed shortsword slathered with a viscous liquid. Twitching, he reached for Bryne’s sword, as if to push it free. His fingers gripped Bryne’s arm for a moment.</p></blockquote></figure> <p>The Seanchan man falls to the ground, dead, and Siuan exclaims at how well the assassin had blended into the darkness. She also tells Bryne that Min told Siuan that if she didn’t stay close to Bryne, she would die. Then, suddenly, Siuan remembers that Min actually said that they needed to stay close <em>to each other</em>. She grabs Bryne, and he feels himself being Healed. Then she shows him a tiny black pin, which was lodged in his wrist. The assassin placed it there, and if Siuan hadn’t known to look for danger, Bryne would have died. Siuan tells Bryne they’ll have to thank Min when they see her, as she just saved both of their lives.</p> <p>Up in the Tower, the Seanchan have finally retreated, and Egwene has sent all the novices with her to bed, as they are exhausted from having so much power drawn through them. Egwene is exhausted too, having pushed the limits of her capabilities.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>She’d fought. She’d been glorious and destructive, the Amyrlin of judgment and fury, Green Ajah to the core. And still, the Tower had burned. And still, more <em>to’raken</em> had escaped than had fallen. The count of wounded among those she’d gathered was somewhat encouraging. Only three novices and one Aes Sedai dead, while they’d gathered ten <em>damane</em> and killed dozens of soldiers. But what of the other floors? The White Tower would not come out ahead in this battle.</p></blockquote></figure> <p>Her mind is already going over what must be done to secure the Tower and to keep the Aes Sedai from falling into despair. But she is so tired that she can’t get up from where she is sitting against the wall. When someone picks her up, she realizes sleepily that it is Gawyn.</p> <p>She hears Gawyn, Siuan, and Bryne discussing how Egwene has been left defenseless in the hallway, and how surprising it is that she wasn’t captured. Siuan finds the fluted rod <em>sa’angreal</em>, which allows her to access enough of the One Power to Travel. Egwene tries to protest, but she is too weak even to speak, and is carried away through a gateway.</p> <p>Elsewhere in the Tower, Saerin is accepting reports. She is astounded at the news of Egwene’s success, which make Saerin’s own efforts seem amateurish by comparison. An Accepted named Mair is brought to her, who reports that she witnessed Elaida being taken by the Seanchan.</p> <p>Elaida wakes to a very strange sensation, unsure why her bed would be moving. She slowly becomes aware of her condition, tied to the back of a strange beast, looking down at the ground far below. When she tries to access the Source, she is struck by a terrible pain. There is a collar at her throat, and she is strangely aware of the woman riding near her.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>“Now, now,” the voice said, patient, like a woman speaking to a very young child. “You must learn. Your name is Suffa. And Suffa will be a good <em>damane</em>. Yes she will. A very, very good <em>damane</em>.”</p></blockquote></figure> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Ugh, the way the <em>sul’dam</em> talk always makes me a little nauseous. If the kind of loss of free will/self-control experienced by those collared by the <em>a’dam</em> ever feels hard to imagine empathetically, the <em>sul’dam</em>’s language really makes me feel it under my skin. Personally, I wholeheartedly agree with Egwene’s desire to destroy them with prejudice during the battle, and with her assessment that those who have been captured are better off dead than in the hands of the Seanchan.</p> <p>Once again we see a parallel with Rand, as he, too, recently killed quite a few people who were mentally enslaved by the One Power and seemingly beyond saving. Like Egwene, he was doing what he felt was necessary in order to defeat his enemy, but also because he believed the captives were better off dead than in their current state. What is interesting about Egwene in these chapters is that while Rand has decided he must put away and suppress his anger (and all his other emotions), Egwene is capable of using her anger, just as she has her other emotions.</p> <p>In the description of her fighting the Seanchan, her anger is described as “cold and distilled,” “not out of control,” and “the anger of justice, the wrath of the Amyrlin.” Throughout both chapters, Egwene directs her anger, using it to her own purpose, rather than being directed or controlled by it, as Rand has alternatively feared to be, and has actually been. We have seen Egwene use her grief similarly, and her compassion, finding strength and motivation in her emotions, finding purpose in her pain. This is how she not only prevents herself from being crippled by her emotions or terrified by her love, but actively becomes stronger because of those feelings.&nbsp;</p> <p>One can’t help but be impressed with Egwene’s strength in these chapters, and throughout the last few books. I keep thinking about how she easily could have become an Aiel Wise One, and how her personality is much more suited to the Aiel philosophical outlook than Rand’s is, despite the fact that he is the one with actual Aiel blood in his veins. It also reminds me of why, I think, Egwene and Rand were once romantically interested in each other. Their paths took them in different directions, which one could argue is the reason that their feelings for each other just gently faded, but Egwene is a lot like the women Rand did end up with: capable, self-determined, practical. And quite fierce.&nbsp;</p> <p>In this Battle Ajah version of Egwene, this Amyrlin wielding a great <em>sa’angreal</em> and taking down her enemies with the wrath of justice, we see a glimpse of what Egwene will be like on the battlefield of Tarmon Gai&#8217;don. With any luck, Rand will find his way back to the core of himself and learn to harness the Light inside again. If so, he and Egwene may end up counterparts in truth, the Amyrlin and the Dragon, working together the way <em>saidin</em> and <em>saidar</em> work, two halves with different attributes but part of the same single Power.</p> <p>I believe they can get there.</p> <p>Speaking of working together, though I’ve never cared much for the relationship between Siuan and Bryne—it really doesn’t make sense, I don’t particularly care for the way Jordan wrote romance, plus the age gap/apparent age gap is really uncomfortably constructed—I have to admit, I’m the kind of romantic that’s always going to be a sucker for love across a Warder bond. Siuan’s realization of just how much Bryne cares for her was really sweet, and after everything she has been through, I’m really glad she can have not only love, but also all the support that the Warder bond gives, both physically and emotionally. I’m glad for Bryne, too; as we know from his conversation with Gawyn, he was deeply hurt by Morgase’s (seeming) betrayal, not only on an interpersonal level but also because it caused a sort of identity crisis for him. Finding love this way will not only help heal those scars, but having the Warder bond and being able to feel Siuan will probably help him feel more secure that such a betrayal will not and cannot happen a second time. I also find myself wondering if Siuan would have been as quick to devote her time and energy to Healing his men if she hadn’t felt his pain over having to abandon them to die. The two of them staying close together may have saved more lives than just the ones Min saw in her vision.</p> <p>I really enjoyed the description of Siuan making the decision to accept Bryne’s conditions. I am incredibly fond of her character, and although Sanderson’s writing in <em>The Gathering Storm</em> isn’t quite what Jordan’s was, I do think he’s doing a great job with Siuan in particular.</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Feeling reverent, she stepped back up to Bryne, then laid a hand against his chest and wove the required weaves of Spirit and laid them over him. He breathed in sharply as new awareness blossomed inside of both of them, a new connection. She could feel his emotions, could sense his concern for her, which was shockingly powerful. It was ahead of his worry for Egwene and concern for his soldiers! Oh, Gareth, she thought, feeling herself smile at the sweetness of his love for her.</p></blockquote></figure> <p>Another moment of Siuan’s that I really loved was when she was explaining her motivation for disregarding Egwene’s wishes and mounting the rescue anyway. Bryne tells her that Egwene can take care of herself, which is largely true (even more so than either Bryne or Siuan realizes), but Siuan responds “I thought I could care for myself too. And look where it got me.” She goes on to talk about Egwene’s experience with the Seanchan, and how even the Forsaken and the Dragon Reborn don’t upset her, but the Seanchan always do. Siuan knows what fate awaits any captured Aes Sedai, and will not leave Egwene to suffer it, no matter the cost.</p> <p>Siuan shows us that sometimes loyalty means acting in someone’s best interest rather than according to their expressed wishes, and that even when you follow a leader you completely believe in, there is still room, and a need, to make decisions for yourself. She acts both as Egwene’s friend, and, as later conversations with Bryne address, for the good of the world. There is no doubt in my mind that, if Egwene <em>had</em> been captured by the Seanchan, it would have spelled disaster for the Aes Sedai, and therefore disaster for the Light’s success in the Last Battle. True, Egwene was able to protect herself, but Siuan could hardly be expected to trust to that chance, especially when she believed Egwene was still in a cell. In Siuan’s place, I would have felt the same.</p> <p>This moral strength is what Bryne is responding to when he tells Siuan that he finally understands how it is so easy for her to break her oaths. He finally understands that she drives herself harder than any oath or any leader could. With the help of the Warder bond, he can understand empathetically what she has already explained to him in words: that she has given her life to the world, first and foremost, and that she cannot give herself to anything else, be it oath or marriage.</p> <p>I forgot to mention in the recap that Bryne tells Siuan that he intends to use his second condition to demand that she marry him. But only after the world is safe, and she finally can take some time, some life, for herself. He shows that he understands her, and that he is willing to take her as she is, not to demand that she change, but to wait until such a time that she is ready for the life he wishes to have with her.</p> <p>It’s a beautiful moment, and I really want Siuan’s happiness. I wonder if the Kin allow members to marry—or will allow, in whatever form they take on under Egwene’s new structure. Perhaps she could retire early from being an Aes Sedai and start a new life as a different kind of channeler, with a different job and different kinds of responsibilities.&nbsp;</p> <p>I like that idea for her. But also, nothing makes me more nervous about her survival than the idea that love and happiness wait on the other side of Tarmon Gai’don. Seems a recipe for the kind of tragedy I expect to see during the Last Battle. There’s no way every beloved character survives it.</p> <p>Of course, Min had a viewing that Siuan and Bryne would both die if they didn’t stay together, which makes the new connection between them physically protective as well as emotionally. When Siuan tells him about the viewing, Bryne points out that if he hadn’t come with Siuan on this mission (and therefore not stayed close to her) he wouldn’t have been in danger of dying by the assassin&#8217;s poison. Siuan counters by telling him not to apply logic to a Foretelling or viewing, which is fair enough, but I’d like to note that it isn’t so much that Foretellings and/or Min’s viewings are illogical as it is that it’s nearly impossible to have all the information needed to analyze them properly.</p> <p>Take Elaida’s Foretelling about how the “royal line of Andor would be the key to defeating the Dark One in the Last Battle,” for example. Elaida took this to mean that Elayne was the important one, because she had no way of knowing what happened to Tigraine or that she gave birth to the Dragon Reborn. It was her bloodline, which was in power when Elaida had her Foretelling, not the one that was in power by the time Elaida made her way to becoming the advisor to the Queen.</p> <p>Even without the extra ambiguity created by the fact that Foretellings are often delivered in riddles and metaphor, and that Min’s viewings often use visual symbolism rather than literal depictions, human beings cannot stand outside the Pattern and analyze it as a whole, and so understanding the full line of cause and effect is impossible. It may be that Bryne was destined to encounter danger either way, that some hidden disaster, be it attack or accident, also awaited him back in the camp if he did not stay with Siuan. Or, perhaps, Bryne was always going to go with Siuan on the rescue mission. After all, sometimes Min’s visions are of things that are guaranteed to come to pass, while other times she has visions of circumstances that appear to be in question, such as the question of whether Gawyn will kneel or Egwene or kill her.</p> <p>These “either/or” and “if, then” visions are the closest thing to proof of free will that the series has given us. I have occasionally borrowed a concept from <em>Doctor Who</em> to analyze/explain how sometimes Min’s visions of the Pattern show things that will definitely happen, and sometimes the vision is of something that may happen, or of a moment where a decision will affect the outcome. In the worldbuilding of <em>Doctor Who</em>, it is presented that there are moments in time that are fixed points, moments that cannot be changed (0r, in some cases, such changes are technically possible but will result in great harm to, or even destruction of, spacetime itself). But the rest of time is fluid and can be affected by time travelers and other extra-temporal or extra-dimensional beings. Min’s visions would seem to suggest that the Pattern functions in a similar way.</p> <p>Which makes sense, given the nature of <em>ta’veren</em>. They are agents of change that are created by the Wheel to influence the weaving, but perhaps they are not the only device the Wheel uses to affect the Pattern. Perhaps there are important moments that must happen in order for the Wheel to keep spinning and the cycle of the Ages to continue properly, and other moments that are intentionally woven to be mutable, so a thread can be course-corrected or the Pattern repaired.</p> <p>After all, if the Dark One is capable of causing damage to the Pattern, and so is balefire, there needs to be a way to repair that damage. Otherwise the Dark One wouldn’t need to win any single conflict, only to keep scratching away at the bars of his prison until they become weak enough to break. Every conflict between humanity and the Dark One would bring him closer to this inevitable success. And as a timeless being, he could wait as long as he needed.</p> <p>Herid Fel told Rand that the cyclical nature of time means that the Bore must be made whole, not patched or filled in, but returned to its pre-Age of Legends unmarred condition, in order for it to be in that state when the same moment in time rolled around again. This must also apply to any damage sustained by the Pattern during wars fought with balefire, or during Ages in which the Dark One was able to affect the Pattern to some degree. It may turn out to be Rand’s job to restore the Bore to its original condition, but it probably isn’t his purpose to repair everything else. I could be wrong, of course, but I wonder if the Pattern doesn’t do some of its own repairs through the use of other people, including non-<em>ta’veren</em>, and perhaps through time itself.</p> <p>Anyway, I am certain Egwene is going to be very cross with her rescuers. I&#8217;m also concerned about how her absence will affect the White Tower’s recovery. If she isn’t in the Tower, who will take control over the situation, and who will be made the next Amyrlin? Presuming the Aes Sedai don’t try to mount a rescue of Elaida, of course, but I think even those who know little about the Seanchan will quickly see that such an action is doomed to failure, and would risk the capture of every Aes Sedai sent to rescue her.</p> <p>Actually, it’s hard to imagine that there is anyone who would be capable of taking over the situation, never mind someone who would feel prepared to do so. Saerin might be a candidate, but that’s the only one I can think of. And even if Egwene is back in the rebel camp rather than to hand for the official Hall to deal with directly, she does present an answer to the problem of how to replace Elaida. She is already seen as Amyrlin by many Aes Sedai, including some Sisters and initiates in the Tower, and raising her officially would allow the White Tower to heal the rift between those who stayed with Elaida and those who fled after Siuan was deposed. The Tower is weaker than ever, and has lost many sisters, which will be strong motivation for those remaining to come to some kind of reconciliation.</p> <p>Plus, it will be a lot easier for those who were on the fence or too scared to speak outright against Elaida to do so now that she is gone, and very clearly never coming back.</p> <p>I find myself feeling sorry for Elaida. She did some horrible things and deserved to be pulled down and punished for them, but I would feel sorry for anyone, even a Darkfriend, who ended up collared by the <em>a’dam</em>. As Egwene herself points out, being broken by the <em>a’dam</em> is a fate worse than death. I had pity even for Galina’s imprisonment by Therava, which was functionally the same as imprisonment by an <em>a’dam</em>, and she was a worse person than Elaida. Especially when you consider that Elaida’s worst attributes were exacerbated by her exposure to Padan Fain, which also clearly had some negative effect on her sanity in general.</p> <p>Finally, I would like to make notes of two moments I particularly enjoyed. The first is the reappearance of Bela, who we have not seen in some time. Welcome back to the narrative Bela!</p> <p>The second is the moment when they find the entrance to the watergate and one of Bryne’s soldiers says “Well, tie a kerchief on my face and call me Aiel.” I found that incredibly amusing, and a nice bit of language worldbuilding. I wonder which part of this world has the American southern twang.</p> <hr class="wp-block-separator has-alpha-channel-opacity is-style-dots" /> <p>Next week we will cover chapters&nbsp; 42 and 43, which I have not read yet, so I cannot preview them for you. But I am sure they will be exciting, after everything that has recently happened to both Rand and Egwene. See you next week![end-mark]</p> <p>The post <a href="https://reactormag.com/reading-the-wheel-of-time-a-proposal-a-battle-and-a-rescue-in-the-gathering-storm-part-24/">Reading The Wheel of Time: A Proposal, a Battle and a Rescue in &lt;i&gt;The Gathering Storm&lt;/i&gt; (Part 24)</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/reading-the-wheel-of-time-a-proposal-a-battle-and-a-rescue-in-the-gathering-storm-part-24/">https://reactormag.com/reading-the-wheel-of-time-a-proposal-a-battle-and-a-rescue-in-the-gathering-storm-part-24/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=847546">https://reactormag.com/?p=847546</a></p>
Tuesday, May 5th, 2026 07:52 am
Yesterday, by coincidence, I stumbled across the news that Lois McMaster Bujold had a new "The World of the Five Gods" e-book novella coming out... yesterday! Darksight Dare, the 16th Penric & Desdemona story. See it on Amazon. Also, the next (fourth) hardcover compilation of the e-books comes out... today! Penric's Intrigues (containing "The Assassins of Thasalon" and "Knot of Shadows"). See it on Amazon.

Darksight Dare is set immediately after The Adventure of the Demonic Ox, so this is in the era of Pen's life when he's got himself (vocation, relationships, etc.) mostly figured out, just barely in time for his kids to start figuring out theirs.

I hugely enjoy Bujold's "The World of the Five Gods" (formerly "The Chalion Saga" for where the first two were set). Varying by setting, they're either pseudo-medieval or pseudo-Renaissance, and the fantasy elements exist within the cultures' theologies, which are very "high" (that is, not classical myth demigods running around physically in people's lives, but more metaphorizing real-world modern understandings of God). While of course some of the stories are better than others -- and the re-routing from the first three novels to the Pen novellas leaves me sometimes longing for the more novels of the original vision we might have had if the muse had moved Bujold that way -- every story has something to say that I find worth listening to.

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Tuesday, May 5th, 2026 07:34 am
Photograph of things you might take with you, or pick up, on a trip, with added text: Journey & Travel, at Fancake. Items are neatly arranged on a rustic wooden table or door and photographed from above: hat, knapsack, barn coat, worn boots, folding knife, sunglasses, bottle, magnifying glass, as well as various maps, notebooks, pine cones, cameras, lenses, and rolls of 35mm film.[community profile] fancake's theme for May is Journey & Travel! This theme is for fanworks that focus on the journey/travel of it all. That could mean a work that focuses more on the journey than the destination, one where the travel destination is a big part of the work, or, as always, a secret third thing!

If you have any questions about this theme, or the comm, come talk to me!
Tuesday, May 5th, 2026 10:31 am
It's monthly rec list time over on my journal! It's a short one this month with just 1 Far Cry 4 rec and 2 Batman recs
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Tuesday, May 5th, 2026 07:08 am
pantile (PAN-tail) - n., a roofing tile shaped a) with an elongated S-curve cross-section, laid so the down curve of one tile overlaps the up curve of its neighbor, or b) with a semicircular cross-section, laid alternately curving down and curving up, with each down-curve tile overlapping both up-curved neighbors.


Type a:

roof tiles, with doves
Thanks, WikiMedia!

Type b:

roof tiles, without doves
Thanks, WikiMedia!

Often terracotta or similar clay-based material. The word was coined in the 1630s from pan, a shallow container + tile.

---L.
Tuesday, May 5th, 2026 09:20 am
More than a third of Americans have lost relationships with friends, family members, romantic partners, or others due to political differences, according to a study. Mertcan Güngör and Peter Ditto examined survey data from thousands of American adults to explore the interpersonal consequences of political polarization in the United States. The findings are published in the journal PNAS Nexus.