rthstewart: (Default)
Tuesday, July 3rd, 2012 10:15 am
Yesterday, via [livejournal.com profile] duncatra and Club Jade, I saw that Random House announced that it has jumped the shark and will be sponsoring a fan fiction contest at San Diego Comic Con.  From the press release:

Random House Audio Invites Fan Fiction Authors to Record Their Stories at Comic-Con International in San Diego

One story will be selected by RH Audio producers to be recorded professionally and streamed online!

At this year’s Comic-Con International in San Diego, CA, Random House Audio will be recreating an audiobook studio right on the convention floor–inviting authors of fan fiction to record a sample of their work for a chance to have their story recorded and released as a digital audiobook.

Stories from the following fandoms are eligible for the contest:

Star Wars®
The Inheritance Cycle by Christopher Paolini
Percy Jackson and the Olympians by Rick Riordan
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
Artemis Fowl by Eoin Colfer

Aspiring authors (who must be legal residents of the U.S. and 18 years or older) can sign up for a time slot to record their five-minute sample during the convention, July 12-15 at the San Diego Convention Center. Random House Audio producers will listen to the entries (no mashups, please) and select one to be professionally recorded and mixed by Random House Audio for streaming at www.randomhouseaudio.com. The grand prize winner and five runner-ups will have clips from their stories featured on the Random House Audio weekly podcast.


So, I suppose that those singing up think this is their big chance to jump to pro?  Maybe Random House is hoping to find the next Shades of Gray?  (though I can't see that sort of content being read via audio at SDCC).  As Dunc observed, and I agree, the whole point of fan fiction is to keep it separate from pro control.  Authors want to make the jump, fine, go for it and good luck.  I firmly believe though that it is better to keep derivative work out of the hands of those who control media dissemination.  That's what I thought was the most interesting story in 50 Shades -- how the author took control of the property herself, disseminating it as she and her readers wished. 
rthstewart: (Default)
Sunday, January 15th, 2012 05:10 pm
So, I was going to post something exploring [livejournal.com profile] raykel's discussion earlier about adults playing with toys that are really intended for children. But before we do that, [livejournal.com profile] knitress wrote the following:

As someone who just stumbled into this, the whole ur doing it wrong thing seems very parallel to some of the debates in Lewis scholarship/'scholarship'/worship. Joy Gresham, Mrs. Moore, Lewis' lifelong friend Arthur Greeves.
I mean, if you're going to go on at huge length about what the original author would have wanted, shouldn't you, y'know, learn something about his actual life?


[livejournal.com profile] lady_songsmith and [livejournal.com profile] andi_horton have both said, oh yes, please share your reading list!

And so [livejournal.com profile] knitress has said she will post her reading list. This is an interesting exercise in a couple of respects.
  • There are a lot of people in the Narnia fandom who assert that adhering to Lewis' intent is very important, so illuminating what Lewis did intend and separating that from what others think he intended is interesting. I know some of you know far more about Lewis' life and art than I do, so do share, if you are so inclined.
  • Stepping back a few meters, some folks really like this sort of exercise at the more philosophical level -- who if anyone has the right to interpret something once it is freed into the wilds. Assuming we do understand the author and what he or she intended, what modicum of respect is owed the original creator? Or his or her designee or progeny? Gresham named Ramandu's Daughter Liliandil for the DT film. Rowling asked once that people not include underage sexual content in HP fic? Does any of that mean anything? Should it?
  • Last, there is the frustration all authors feel when the reader doesn't get what you intended. Sometimes it's a flaw in the writing; sometimes though it probably doesn't matter how clear you are, right? The reader is going to take what the reader is going to take.

In response to the above, divining authorial intent isn't something I usually worry about. I take a plain language view to borrow from a canon of statutory construction -- if it's there on the page, literally or thematically, it's fair game.  I'm more interested in exploring what I and others think about their work, and the community that develops around that exploration then I am in understanding more of what the author thought about his or her work. People pull more than I intended out of my work all the time and frequently I have no greater intent than "Shiny! let's try that!" and "Gosh I love that line. Let me build 10,000 words to include it." Or, "fandom poke. poke. poke."

Admittedly, TSG Peter and I both share extreme ineptitude in the areas of philosophy, theology, and languages. Being a shallow sort, I do not usually ask the big questions. (Though when I told Clio that, she said that I may assert the absence of a rear view mirror and claim inability to think big thoughts but that's because I pour my philosophical musings into fic.)  I decline to speculate as that would call for introspection.