rthstewart (
rthstewart) wrote2012-10-13 04:25 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
H&M, Chapter 19
So, Chapter 19, Death of a Hound, is up. I had some thoughts but I suppose the only real thing is that I finally gave the General a name, Shqipe, which means eagle in Albanian. If you are interested in reading, thank you very much and I really appreciate it.
starbrowsings has been very nice to hold my hand through this.
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
(Anonymous) 2012-10-14 12:58 pm (UTC)(link)I've de-lurked a couple of times before, and I'm doing so again because there seem to be issues around the H&M stories...
First of all, I (and I suspect many others) read everything that you write. EVERYTHING. I read the H&M stories, and I read the little drabbles you post, and (always!!) The Stone Gryphon and its many parts. But within that - I (and I suspect many others...) do have preferences. And, well, I'm really really really sorry - I don't particularly like Banker Morgan. I find her annoying, boring (as a person, btw, not as a character), and not very likeable. I see and understand her worth and role as a character, but I don't LIKE her. Her social awkwardness is of the "nails against blackboard" type for me - and this is coming from someone who is a geek, who was a nerd most of her life, who goes to SFF conventions and lectures in them, who likes cosplay, and has friends on the non-neurotypical spectrum. Hell, I only learned (consciously, deliberately - it was never natural for me) to interact with people in a social setting in my late teens when I was drafted into the military (and that gives away which country I'm from, I believe...) and sort of had to learn.
And I still find Banker Morgan an unpleasant person to "be" around. Again - I see her worth as a character. I even understand why Edmund would be attracted to her, and I totally buy the interaction and chemistry between them. I just don't. like. her. And I think it may be a common reaction.
So when you write *about* her - about how Narnians see her, and how Edmund interacts with her, and how she has to do this, that, and the other - I enjoy reading that. When you delve into her head, or make her the focalizer/POV character I get really friggin' annoyed with her, and want this part to be *over* to I can get to reading about characters that I find interesting as people, not just as pieces in a narrative.
I'm really really sorry if this came out harsh or critical - it's not, really, I swear. I love your writing and will continue to ready every single thing you write. I also believe that you don't owe me or anyone to write characters in any way except the way you see them and want them to be. It's just that the H&M question seems to come up quite often, and I wanted to give you the perspective of a very (very!!) loyal reader on why these stories are, perhaps, not my favorite of your oeuvre...
Please do delete this comment if you find it inappropriate in tone or content, and if so - I apologize sincerely.
no subject
(Anonymous) 2012-10-14 12:59 pm (UTC)(link)no subject
no subject
Would you be at all willing to elaborate on that? Does the story just tug in a different direction now? I'm not trying to be demanding here, just genuinely curious about your creative process.
no subject
I felt that some of my more recent work has been among my strongest -- Rat and Sword especially. The Avengers story, for all that was a silly AU crossover, had a one or two things that I thought were really strong. I felt the same way about I love not man the less. Yet, what I think is an objective assessment of work has apparently no relation to what draws or retains readers.
I am a terrible judge of what will resonate with readers and retain them and I feel more disconnected than ever. So, that's what I mean. I need to get the chapter up of H&M and close out this part of the arc, and then reassess (again).
no subject
> strongest -- Rat and Sword especially. The Avengers story,
> for all that was a silly AU crossover, had a one or two things
> that I thought were really strong. I felt the same way about
> I love not man the less. Yet, what I think is an objective assessment
> of work has apparently no relation to what draws or retains readers.
When you feel like this somehow reflects poorly on the quality of your work, keep in mind that 50 Shades apparently draws readers. There's really no relationship with quality there.
I don't know what this "Rat and Sword"-lite story is so I can't go look at its comments, but I'm willing to bet they don't generate anywhere near as interesting a conversation as your chapters.
I agree that you should wrap up H&M chapter 20 and regroup. See how people respond to a new AW chapter. It does seem to gather more responses, and hopefully will start a positive feedback loop for you. And keep in mind that even one of the people here who said they didn't like Morgan said they saw her worth as a character and plausibility as a romantic interest for Edmund. Writing a character who is convincing even when disliked is a real accomplishment.
And I loved the Avengers bit.
I'm also trying to encourage you because I've had an absolutely wretched week myself where I've done more harm than good in several areas and appear completely unable to finish an article that's already overdue. So both of us are apparently in need of a nudge in the positive direction :-P
no subject
no subject
no subject
(Anonymous) 2012-10-14 10:58 pm (UTC)(link)doctor dolly
no subject
no subject
(Anonymous) 2012-10-18 02:51 am (UTC)(link)That having been said, Morgan is my favorite OC in Narnia fandom. Jalur is up there with sarcastic Black Dwarves that affectionately refer to their Kings and Spawn and Nancy. Morgan really, really, really needs to go to the Blue River Smithy. I'd give my eye teeth to see what happens with Brikit. On second thought, given Morgan's track record with sharp pointy objects, that might be a really bad idea.
I'm going to go beat my imagination into submission now. I'm supposed to be writing long instruments of torture for college students affectionately known as a midterm.
doctor dolly
no subject
(Anonymous) 2012-10-14 11:38 pm (UTC)(link)De gustibus non disputandum est.
Clio
no subject
no subject
I cried pretty much all the way through that. I was angry at first when you cut away on Jina's scream, until I realized we were going to experience it the way all those left behind at Cair Paravel were. This, I think, was an inspired move. We all know what happened- it's been reference time and time again in this sprawling (in the best way) non-linear narrative you've constructed. With no suspense as to whether she lives or dies, describing her death in detail would have just been oppressively morbid. We already know it was painful, and the aftermath (Susan carrying the smaller bundle) drives the horror home effectively as it is. Showing the gory details when they add nothing to the reading experience does not make a story more "realistic" (an argument I've been having elsewhere), it just makes it more unpleasant and can even distract. The emotional impact here came from the long buildup of Jina's character, the bitter knowledge that she wasn't even going to go on the trip originally, and the reactions of all who knew her.
I don't remember if we've seen Eirene after this point, so that suspense was effective, as was keeping it relatively distant so as not to overshadow the major points- Jina's death, and Morgan's story.
This drives home Morgan's true dedication to Narnia and all Narnians, and beautifully illustrates her distance from her (former) countrymen. The ship captain doesn't come off as evil so much as just baffled and unsurprisingly (if disappointingly) ignorant. Edmund's joy in her return amongst the sadness serves to further enhance our view of their relationship. Morgan on the ship is her at her most irritating (note that I usually do *not* find her irritating at all) and inspiring. And as usual you managed to tie a difficult interaction to animal characteristics (it's too bad no more socially sensitive animal was suitable, but they all got it done).
I see you're less confident of this chapter than usual, but I feel that you really found an effective solution to a very difficult writing bind. I did *just* finish reading this minutes ago, but this is my immediate reaction. I'm looking forward to chapter 20, and just as happy that you split it because I'd probably be overloaded getting them both at once.
no subject
That's all, I guess. Thank you. Your nice comments came at a particularly welcome time!
no subject
I thought the shifting points of view worked very well, and I was especially impressed with the working of the Wing -- the commands, the way it functioned, and also with the way the Four swung into action without speaking, almost. And I went off to read Chapter 20 of TQSiT, as well, and got yet another view.
Also, self-interestedly, I'm looking to learn from it how to write about terrible events movingly, but not putting the reader through all the brutal details.
(I am also a great admirer of Morgan -- I like her very much indeed.)
no subject
no subject
Yes! So many writers seem to compensate for building deeply resonant emotion by overwhelming the reader with some form of brutality or gory detail.
no subject
I found your things and read them all at once-- it absorbed my brain for quite a while, to the distraction of other things, and I found something very new in Narnia as a result of reading these.
Morgan registers to me as having Asperger's Syndrome, except that since it's Narnia it's not like she can be diagnosed with it.
no subject
It's a lot to read and I thank you forgiving it a try and coming over here to drop by.
no subject
no subject
no subject
(Anonymous) 2012-10-23 02:05 am (UTC)(link)Thanks for the reminder that courage can be found without putting on a brave face. And that a Crow loves as fully and fiercely as a Hound.
~Syrena
no subject
no subject
(Anonymous) 2012-10-25 03:02 am (UTC)(link)I agree with many other readers that not seeing Jina's actual death was a plus. We really didn't need to see her agony. Although the bundle of little bodies besides Jina's was such a telling detail. And getting the reactions of a range of characters was very moving. You showed us an extended family or tight knit community who live and work at Cair Paravel, and each dealt with grief in their own way. Mr. Hoberry and Mrs. Furner taking care of each other, while they take care of everyone else was wonderful.
Also, the extra worldbuilding. Seeing more of the gryphons was fascinating. Especially the portrayal of the General. I thought her opinions about Aslan, were very realistic, given what she endured during the Winter.
Banker Morgan is one my favourite characters. She is strong and loving and endearing. And definitely very brave. As you have shown throughout your writing,there are many different kinds of courage.
Thanks again for this chapter.
ClaireI
Banker Morgan and Jina death
Great.
Re: Banker Morgan and Jina death
Re: Banker Morgan and Jina death
no subject
Morgan has her fans and detractors. I'm so glad she works for you. The Cair Paravel (who are really Vorkosigan House) staff have been a great joy to work with. And it has been fun to finally do something with the General. She's been around for a while.
Thank you again, so much.
People warning against you
You keep on writing as exactly as you need to, and we can carry on reading as we want to.