rthstewart | Chapter 12, Comings and Goings, H&M

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Chapter 12, Comings and Goings, H&M

Chapter 12, Comings and Goings.
So, here we are at the end of a story arc long contemplated but almost not told when H&M began its slow decline this time last year.

First off thanks to those of you who read here and gave me the courage and incentive to pick it up. There was a lovely response to my Two Hearts Day piece and then E asked for Acceptance of Terms. Anastigmat’s pic fic of Morgan with the lion broach and Deny the Child followed. For a character who was introduced two years ago for no purpose greater than to allow Edmund to riff on his titles and as a jab at the conduct of evil investment bankers, we all are now stuck with Evil Banker Morgan of the House of Linch.

If you are interested, here are some notes on what would have been/should have been:
Maeve was the villain in a murder mystery to eliminate Morgan over Alan Meryl’s affections. After writing Alan and beginning to form Maeve, it just did not make sense. I also didn’t like the idea of a woman as a villain over affection, and didn’t like Morgan bedridden (see below).

The poisoning was always there but it was to have been Morgan who was poisoned at a dinner party (very Agatha Christie like), and rescued by Jina when she visits the apothecary and identifies the poison and its antidote. I have a lot of notes on medieval poisons.

There was to have been a very involved economic sub-plot that also implicated keeping Edmund’s identity a secret, the Lord Bar embezzlement, a prenuptial agreement, and tax policies. There were to have been reappearances by a very conniving Princess Evil More Dim and her kind, less dim, husband to be. Morgan and Alan were to have been more of a couple with Edmund as the definite odd man out with ensuing jealousy. This all became instead Constance and Alan Meryl.

I have complex charts and graphs of which Houses represented whom and over what accounts, all relating to the economic subplot.

Jalur was, at some point, going to come crashing through a window to save Morgan -- from what, I wasn't sure but it was probably a second assassination attempt.

The final meeting between Edmund and Director Linch is very, very different even from what was posted here in comments months ago. Until this week, I was still trying to hold on to some of it. I ended up tossing it all and going with what is presented here, with, yes, Edmund being a bit of jerk and the Director being protective of his daughter, but also mindful of his new client relationship with Narnia and the adage, "The client is always right." I liked what I wrote, but it no longer fit for Edmund had regressed and the Director had grown.

I really wanted to go the easy way out, have Seth pull a Mr. Noll, and die, thereby saving everyone the inconvenience of a greedy, craven, not especially talented, would-be murderer. But, I was mindful of the backstory -- how Noll’s suicide and the Moles’ treachery really affected Edmund (which he tells Morgan of in AW) and his views on retribution (which he discusses with Col. Clark). So, I didn’t.

I introduced Peridan completely forgetting about his real life counterpart. Oops. Once readers reminded me, I tweaked him a bit in this chapter to align him more closely with WC Reginald Tebbitt.

I have a whole thing in my head dividing the Houses on Hogwarts lines, with Stanleh as the Ravenclaws, Meryl as the Slytherins, and Linch as the Hufflepuffs and about their respective qualities that are tied to the House symbols of the red flower, yellow sun, green tree, and blue wave.

A few words about Morgan
This is my first attempt at Morgan’s rambling point of view. It was hard, and there is that moment between them, when Edmund is wanting her to say, “Can I come back to Narnia?” and she misses it completely. He is still, for all that the Code is changing, assuming that Morgan will remain in the Lone Islands, that she is committed to the relationship with Alan and assuming control of Meryl. Yeah, he’s looking for a convenient “out” and as presented here, Morgan is thinking he's really not such a great option, either. Morgan has very real and valid misgivings, which Edmund is helpfully reinforcing.

A scene also written but in the end not included is Sallowpad telling Morgan why Edmund is being so weird about Seth Stanleh. That’s come out now. It’s not nice, especially because Edmund, having taken Morgan to task for concealing things, is now concealing from her why a brother betraying his family for material gain is so affecting him. And, the readers know the reasons, so I reverted to third party points of view rather than wallowing in Ed-agnst.

There was going to be a scene with Edmund, Morgan and Aslan, with Edmund seeking advice on how to deal with Seth and Morgan basically asking Aslan, “Why am I this way?”

In the realm of TMI, RL, and the modernity and morality of the story
As I’ve said, I wrote By Royal Decree when the US and world economy were in freefall brought about in part by the collapse of the subprime mortgage lending market. There are a couple of things lurking here. First off is that the lifestyle of the bankers is very much an observation of life in the modern American workplace of lawyers, accountants, consultants, and bankers. The 80 hour week is very real to my own life experience, even now.

Second is that this is something of a meditation upon the demise of the principle of “caveat emptor” or “let the buyer beware” and its more current incarnation, “you can disclaim responsibility in the small print.” While principles of warranty and product liability have protected buyers for decades in US law, still we see every day how marketers attempt to disclaim the possibility (or probability) that things won’t go as the buyer expects with the “disclaimer.” As in, “I lost 30 pounds in two weeks” followed by the statement “Results not typical.” Or the small print disclosures in mortgage documents that very clearly stated that the home owner would have to pay the full, outstanding amount of the mortgage in 5 years and that the no down payment was in fact loaded into the mortgage and that when all was said in done, the homeowner really could not afford the house she was buying. It’s all disclosed, right? So no problem, right?

This is the view that Pierce expresses – those victims of the pyramid were told, “You could lose your money,” so what’s the problem? Even Maeve, who does take a stand, expresses her views not as, this was wrong, but you will get caught. Peter and Lucy challenge Morgan on this issue and Morgan to her credit gives a different answer.

Now, in fact, there’s been loads of interesting consumer research going to issues of consumers' poor comprehension and poor science and math literacy and the ineffectiveness of disclaimers. Consumers read “You could lose 30 pounds in two weeks, results not typical” as meaning that they could lose even more weight. Yes, I understand that at some point, you can’t protect the person who just refuses to be reasonable, but there’s something really wrong when a complex, small print disclaimer written at a level requiring a post-secondary education is sufficient to eliminate responsibility for actually achieving what is promised in the glossy, compelling advertisement. I’m not an anti-advertisement person by the way – I like it and some part of my RL has been devoted to studying, protecting and improving it. But, well, see above.

These are very recent developments in consumer protection circles and are very relevant to said economic meltdown which was in the background of BRD. And while you want to whack Edmund on the side of the head for asking Morgan to defend her moral compass, he has just lived through and heard the Captains of Industry and Robber Barons say and do some things that are pretty reprehensible to his Narnian ideals. So yeah, not cool, Edmund, but I do see his concerns as legitimate.

Regrets and whinging
My regrets about this side of the story are many. I could not fully realize the vision of the Bankers and ground it in a historically researched combination of the de Medicis, the Rothschilds, and modern Swiss and Bahamian bankers. I could not develop Gertrude Meryl into a mentor or a villain; she is just weak. It is not a compelling mystery. I did not have the story telling ability to weave a Bonfire of the Vanities, Rising Sun, or Wall Street sort of financial mystery. I could not find a way to tell a story of how economic policy is based upon moral choices with winners and losers – that there is a reason, for instance, the US tax code grants exemptions for children and home ownership and why we have trade embargoes and economic sanctions. The worldbuilding, while extensive, is still fragmentary, inconsistent, and begs for expansion.

In the end, though, it’s a Not A Romance and I would not have told the story at all were it not for readers. Morgan and Harold have a ways to go, still, before we reach the Edmund of Apostolic Way, though even there, it is only after his return from the Wall of Water that he realizes his missed opportunities.

It’s on to the Narnia Fic Exchange now, and my femgenficathon. I had a brainwave for Part 3 of H&M two days and I need to let that gel a bit. I should return to AW before people forget it exists.

Thanks again!

EDIT: For those interested in the Susan/Director of Linch ship, I blame Min, Linea, and H for this, which is also in the comments below.

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Thanks, H.! At some point, I feel like maybe I should move this to a new post. These threads are getting hard to follow! But, I think we're nearing the end, and I'm chugging on the NFE right now. I'm SO GLAD it worked for you three!

The name came to me, out of the blue, either when I was talking to myself in the car or walking the dog. I liked the name Rolf or Raffe and then wondered about some name tied with wealth and then saw that the names mean Wise Wolf in Nordic languages, so HA!

Clio in an email to me also drew the comparison to Tebbitt, pointing out how it is against her type -- he is white and the age is a bit screwy, but in years lived, she is older. It did not occur to me to compare her seeking out of mentors, but this Susan does do that. Despite some pressure from a few readers, I am incapable of shipping Asim with anyone -- the jokes about dark chocolate notwithstanding. But yes, he stands as another potential mentor. I very carefully wrote those chapters with Sallowpad to cast it in terms of a mentor relationship. I didn't want any shippiness in it at all.

The Rabadash relationship in my head canon is a Game of Thrones situation that she misjudges and loses and by backing into this relationship with Linch, I'm actually more comfortable with that. She thinks she's found something in Rabadash -- the men are similar in some superficial respects, though Rabadash is more politically appropriate, and she's probably not as cautious as she would otherwise be.

Despite, again, some reader enthusiasm to the contrary, I'd not seen Susan's relationship with Tebbitt as a "one true pairing" for her -- and I don't tend write OTPs regardless. It develops over time. It is enjoyable. She comes to respect him a great deal. But, I'm just not sure that the characters I've written would have Tebbitt as a great love of hers. I see him as being weak, in some ways, which frustrates her. I've not thought about that relationship in a while, so this bears some more consideration.

LOVE the idea of the wagers. And Jalur. He'll trust Lambert to do the eating if necessary, I suppose.

Asim does seem un-shippable. He's taken the Lucy's traditional role as the spiritualist who sets aside romantic relationships. Except that most writers do this with Lucy in a way that keeps her childish, as opposed to Asim's informed choices about his life (IIRC, there was some comment indicating that he had some experience with women even if it had been a long time since he sought such companionship).
Yes, yes, and yes, but no. I just had to look up IIRC. There are readers who have lobbied for Asim to be involved with 1)Peter 2)Agnes 3) Ruby 4)Dark chocolate. I stuck in a few lines in the AW chapters addressing dark chocolate (last piece was in Lyon in 1940 and Richard tells him bluntly that the day Asim has a wife is the day he may criticize Richard regarding Mary. Though I've not written about it, the traditional Muslim separation of men and women makes his wandering with Mary EXTREMELY unlikely, which I get around with a magical paw wave by saying that he thinks God told him to do so, so he does. In a couple of instances (TQSiT, Moles in the Garden, Part 1 most notably), there's actually a subtext going on there regarding Polly and Mary (which Kwong Lee is actively aiding and abetting with the bedroom machinations and the bottle of vodka) and it goes right over Asim's head. He's WAY clueless regarding women or men and intimate relationships -- he's given over to war, God is his passion, and there's no room for anything else.

Well that's what I get for not looking things up before referring to them :-)
Having since looked it up, I was misremembering / taking too expansive of a view of the last part of the line "He knew nothing of marriage and very little of women", having turned it around in my head to imply that he knew at least something. Anyway, for whatever reason, Asim's choices seem more informed and deliberate to me than the way most people write Lucy. And that makes for a character whose choices I can respect a lot more easily.

It occurs to me that this way you just phrased Asim as having "no room for anything else" is an interesting reflection this bit of Dalia thinking about Peter with respect to a promising suitor bowing out:

***
It was those limitations that made Peter the High King that he was. He would place devotion to Aslan, Narnia, his subjects, and his siblings above all else. Peter loved everyone and everything, too much, too well, and too deeply. With so much love already given, Dalia had wondered whether he had any leftover. Nadie had, unsurprisingly really, seen it as Dalia herself did.
***
(and yes, this time I did look it up!)

I did notice, and was quite amused by, the subtext you mention with Polly and Mary :-)

-H

Hmmm... this begs the question. Who are, if there are any at all, Susan's great loves? So far, it seems that Tebbitt is the closest, though you say here that he isn't. Linch is shaping up to maybe, possibly be one. Does she even have any "what ifs" or "if onlys" in her lifetime?

Or is she more like Peter, but only with a few more closer encounters than we've seen him have?

--Indil

If I could do it without coming across as horribly self-aggrandizing, I'd just start a new journal entry: Susan and Morgan in Rth's head, what is she taking and do I want some?

Someone pointed out that in this vision, it's the two had had guards of the same sex who were able to create sound, lasting relationships in Narnia -- and the monarchs who had Guards of the opposite sex did not. I have some readers who are more serious Tebbitt/Susan shippers than I am. The Linch relationship came out of the writing, but I do like how it helps make some sense of Rabadash.

I have thought that Lambert is really Susan's great love -- in my original outline, it was her devotion to him that would "bring her back" to Narnia. Well, that's changed, obviously. The Susan of this vision will never deny Narnia -- she just gets there by a different road and really disagrees with Peter about how to get there.

Do you see Tebbitt as a "great love?" I have written Susan as a bit passive/aggressive and I think that another one of her flaws is that she seeks out these very strong, very Alpha type males, in personal and professional relationships. Tebbitt is s bit against type for her --- they work well together and he respects her, which are very important to her. However, I see him as not really strong enough as a true foil to her. Some readers do disagree with that, though...

In head canon, I've seen Susan seeking out female relationships occasionally when she wants something comforting, familiar, supportive, and uncomplicated. I've thought of doing this much later in AW, but I'm not sure I have the right characters in the story for it. I mentioned it to one person and I got a real long pause and then the comment, "Weeelllll, I've bought you doing crazier things, but you think so? Really?"

As for Peter, we're not there yet.

I don't see Tebbitt *not* being a "great love" of Susan, but I think I'm searching for things from a different angle. The terrible romantic in me finds the possibility fascinating of Susan (well, really any of the Pevensies) not being able to find "true love" in Narnia, but do in England.

And Tebbitt does read as rather strong, at least to me, but I'd say just equally strong as Susan, not by any means above her. They've put themselves through similar circumstances after all.

I do buy Susan as a, as they say, a LUG: Lesbian Until Graduation. Or, I suppose, in her case, a LUNO: Lesbian Until Narnia's Over... ha!

And now there's something to look forward to reading regarding Peter.

On a completely unrelated, yet still highly relevant, note... there's a song on the new Duran Duran record called "The Man Who Stole a Leopard." It's a rather tongue-in-cheek fictional account (set to music, natch) of a man who is in love with his pet leopard, and I cannot listen to it without thinking of Peter and his OTL cheetah. Hysterical. I highly recommend giving it a listen!

--Indil

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Chapter 12, Comings and Goings, H&M

Re: All aboard the Susan/Director ship

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