“It doesn’t feel like justice,” Susan says, voice thin and pale as her face, staring at the blood in the snow where they’d been forced to put down a last wolf pack, stubborn to the end, loyal to their Witch-Queen; Edmund rubs his blade clean in the snow and does not look at her, only saying, “There is no justice, only us.”
This, then, is how it begins - with the prayers of Narnians over the Golden Age, all their hopes and dreams and desperate cries to be protected, to be blessed, to be loved - on and on, long past the vanishing point of Kings and Queens, down into the realm of folklore, the realm of myth.
It’s Ed who notices first, upon their return; an Edmund whose Judgements have become pronouncements, their weight as natural laws, inexorable, infallible - then it’s Peter, the Warrior, cutting down armies with a single sweep of his sword, and Lucy, the Life-Bringer, her sweet piping voice singing the forests back to life, the meadows back to bloom; and Susan - Susan who waits, and waits, and nearly despairs, until her lips brush Caspian’s and Love blooms and bursts once more, and Narnia welcomes her gods home for the final time.
What’s a King to a God
This, then, is how it begins - with the prayers of Narnians over the Golden Age, all their hopes and dreams and desperate cries to be protected, to be blessed, to be loved - on and on, long past the vanishing point of Kings and Queens, down into the realm of folklore, the realm of myth.
It’s Ed who notices first, upon their return; an Edmund whose Judgements have become pronouncements, their weight as natural laws, inexorable, infallible - then it’s Peter, the Warrior, cutting down armies with a single sweep of his sword, and Lucy, the Life-Bringer, her sweet piping voice singing the forests back to life, the meadows back to bloom; and Susan - Susan who waits, and waits, and nearly despairs, until her lips brush Caspian’s and Love blooms and bursts once more, and Narnia welcomes her gods home for the final time.