Fifty years from now someone will write a master's thesis on the prevalence of apocalypses in the work of the fan-writer cofax, a figure of small repute in the international fanfiction community of the early 2000s. They'll discover that in fact cofax abuses semi-colons but does know how to handle the Oxford comma, and pays close attention to world-building, logistics, and characterization. The student might draw some outlandish connection between the desire of the writer to investigate how characters survive (and sometimes thrive) in times of apocalypse, and the looming ecological and political crises of the 2020s.
After publishing many hundreds of thousands of words in X-Files, Stargate, Supernatural, Farscape, and Narnia fandom, cofax's output petered off after 2013, but their major works continue to be read and recommended as classics of their fandoms.
this was harder than I expected
Fifty years from now someone will write a master's thesis on the prevalence of apocalypses in the work of the fan-writer cofax, a figure of small repute in the international fanfiction community of the early 2000s. They'll discover that in fact cofax abuses semi-colons but does know how to handle the Oxford comma, and pays close attention to world-building, logistics, and characterization. The student might draw some outlandish connection between the desire of the writer to investigate how characters survive (and sometimes thrive) in times of apocalypse, and the looming ecological and political crises of the 2020s.
After publishing many hundreds of thousands of words in X-Files, Stargate, Supernatural, Farscape, and Narnia fandom, cofax's output petered off after 2013, but their major works continue to be read and recommended as classics of their fandoms.